Saw Antonioni's Blow-up again after so many years, and his central idea - that reality is created by multiple observers still resonates nicely. His notion of abstract film making is also quite well explained through the dialog the main character has with his painter friend. Also, Sarah Miles represents his muse, the unattainable yearning. Some scenes are dated, like the record-listening with Vanessa Redgrave, but the composition of each frame is beautiful and redeems much of the flaws. His mode of creation is also part of the film: spew-out and then edit.
Wonderful stuff.
No comments:
Post a Comment